Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Tub oil painting


Tub
mk206 1886 Oil on canvas 60x83cm
Painting ID::  49959 		Edgar Degas
Tub
mk206 1886 Oil on canvas 60x83cm
   
   
     
Edgar Degas the lady in the tub oil painting


the lady in the tub
mk206 1884 Oil on canvas 86x76cm
Painting ID::  49960 		Edgar Degas
the lady in the tub
mk206 1884 Oil on canvas 86x76cm
   
   
     
Edgar Degas Dressing up lady oil painting


Dressing up lady
mk206 1884-1886 Oil on canvas 53x52cm
Painting ID::  49961 		Edgar Degas
Dressing up lady
mk206 1884-1886 Oil on canvas 53x52cm
   
   
     
Edgar Degas Go to bed oil painting


Go to bed
mk206 1883 Oil on canvas 36.4x43cm
Painting ID::  49962 		Edgar Degas
Go to bed
mk206 1883 Oil on canvas 36.4x43cm
   
   
     
Edgar Degas Naked woman wiping toes oil painting


Naked woman wiping toes
mk206 1885-1886 Oil on canvas 50.2x54cm
Painting ID::  49963 		Edgar Degas
Naked woman wiping toes
mk206 1885-1886 Oil on canvas 50.2x54cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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